Grammy Trends: Rising Women, Global Acts, and AI Music (Full Transcript)

Author Chris Dallariva analyzes Grammy evolution, predicts key winners, and explains why international artists and AI-made music may shape future nominations.
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[00:00:00] Speaker 1: If I could go back to any Grammy Awards, I think it would be the 27th Grammys in 1985 hosted by John Denver. I would have booed when Lionel Richie won. It's a struggle, but all you want to do is win, that's the main thing. My name is Chris Dallariva, I wrote the book Uncharted Territory, what numbers tell us about the biggest hit songs and ourselves, and I love to analyze music with data. The Grammys have evolved pretty dramatically over the years. The first Grammys in 1959 was often highlighting music by classical musicians, lots of stuff by Frank Sinatra. It really became more of a popular award show as the decades went on. I think the biggest trend that I've seen is women have dominated the Grammys in a way that they did not at the end of the 20th century. I looked over since the 1960s at nominations, and there are more and more women being nominated across categories than ever before, and that has continued to some degree this year. Some of my Grammy predictions for this year. Song of the Year, I'm going to go with Golden from K-Pop Demon Hunters. For Album of the Year, I think it's Bad Bunny's year, he's playing the Super Bowl, his album was humongous. And for Best New Artist, I'm going to go with Olivia Deen. She's had quite the year, and I think it is hers for the taking. I expect over the next decade we will see more and more artists who are not based in the United States get nominations in the big four categories at the Grammys. Next year's Grammys, I think the thing to watch out for is music made with artificial intelligence to some degree. The president of the Grammys has said that songs made with artificial intelligence are eligible for nomination in some categories, and I think we will see at some point a song clearly using artificial intelligence get a nomination.

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Arow Summary
Chris Dallariva, author of *Uncharted Territory* and a music-data analyst, reflects on how the Grammys have shifted from early classical/traditional winners in 1959 toward a more pop-focused show. He notes a major long-term trend: increasing nomination and award recognition for women across categories compared with the late 20th century. He shares predictions for the upcoming Grammys—Song of the Year: “Golden” from *K-Pop Demon Hunters*; Album of the Year: Bad Bunny; Best New Artist: Olivia Deen—and expects more non‑U.S.-based artists to appear in the “big four” categories over the next decade. He also anticipates AI-made or AI-assisted music becoming a visible eligibility and nomination issue in future ceremonies.
Arow Title
Music Data Analyst on Grammy Trends, Predictions, and AI
Arow Keywords
Grammys Remove
Chris Dallariva Remove
Uncharted Territory Remove
music analytics Remove
women in music Remove
nominations Remove
Song of the Year Remove
Album of the Year Remove
Best New Artist Remove
Bad Bunny Remove
Olivia Deen Remove
Lionel Richie Remove
John Denver Remove
international artists Remove
artificial intelligence in music Remove
Arow Key Takeaways
  • The Grammys have shifted from classical/traditional emphasis in 1959 to a more mainstream pop orientation over time.
  • Women have increasingly dominated nominations compared with the late 20th century, a trend continuing into the current year.
  • Predictions: Song of the Year—“Golden” (*K-Pop Demon Hunters*); Album of the Year—Bad Bunny; Best New Artist—Olivia Deen.
  • The “big four” categories are likely to include more non‑U.S.-based artists in the coming decade.
  • AI-created or AI-assisted music is expected to become a key topic as eligibility rules allow some AI involvement.
Arow Sentiments
Neutral: The tone is analytical and forward-looking, with mild personal opinions (e.g., booing a past win) but largely focused on trends, predictions, and eligibility considerations.
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