White Lotus Season 4 Heads to France with New Cast (Full Transcript)

HBO confirms Season 4 of The White Lotus will be set in France, starring Helena Bonham Carter alongside Chris Messina and Steve Coogan.
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[00:00:00] Speaker 1: The cast for the next season of HBO's hit series White Lotus was just announced. The fourth season is set in France and will feature Helena Bonham Carter, the Academy Award-nominated actress who is best known for playing the Red Queen in Tim Burton's Alice in Wonderland and Bellatrix Lestrange from Harry Potter.

[00:00:17] Speaker 2: Very well, Madame Lestrange, if you will follow me.

[00:00:25] Speaker 1: The show will also feature actors Chris Messina and Steve Coogan. It's unclear if there will be any returning characters. Details about the plot of season four are being kept tightly under wraps and the release date is still unknown. The final episode of last season's finale in Thailand reached 6.2 million viewers in the U.S., according to Warner Bros. Discovery, the parent company of HBO and CNN.

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Arow Summary
HBO announced the cast for the next season of its hit series The White Lotus. Season four will be set in France and will star Helena Bonham Carter, along with Chris Messina and Steve Coogan. Plot details, potential returning characters, and the release date remain unknown. The prior season’s finale in Thailand drew 6.2 million U.S. viewers, per Warner Bros. Discovery.
Arow Title
The White Lotus Season 4 Cast Announced
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The White Lotus Remove
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Season 4 Remove
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Helena Bonham Carter Remove
Chris Messina Remove
Steve Coogan Remove
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Arow Key Takeaways
  • Season 4 of The White Lotus is set in France.
  • Helena Bonham Carter will star, joined by Chris Messina and Steve Coogan.
  • It’s unclear whether any characters will return from prior seasons.
  • Plot details and the release date are being kept under wraps.
  • Season 3’s Thailand finale reached 6.2 million U.S. viewers.
Arow Sentiments
Neutral: The passage is primarily informational, focusing on a casting announcement, setting details, and viewership numbers without strong emotional language or evaluative framing.
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