Speaker 1: Having a hard time understanding the difference between OS and OC? Are you unsure about what a parenthetical is or what a slug line is? Then this video is for you. Hello lovely people, my name is Micaela Lysak, welcome to my channel or welcome back to my channel. If you're new here, hey what today I'm going to be showing you all the different elements of a film script I totally understand film language is definitely foreign to a lot of new people who are in the industry and if you're a new actor or a new writer you might need a little bit of help so I'm gonna show you guys all the different terms and the lingo used within film scripts if you don't already know who I am hi again I already said my name my name is Michaela Lysak I'm a professional actress of nine years IMDB resume in the description. And I help aspiring actors and filmmakers try and break into the film and television industry. Hit subscribe so I can help you navigate your career or maybe you can just follow me online. We are like a family here. We help each other out, help each other try and be successful. Without further ado, let's get right on into the video. I think it's pretty fitting that we start out with what starts a scene. And that would be the slug line or a scene header. A slug line or a scene header establishes the time and the setting for your reader or for the production. At the start of your slug line you're usually going to see three letters and it can either be int or ext. But what do these mean? Int stands for interior and ext stands for exterior. Sometimes you can also see i-e and this means both interior and exterior. The reason we use interior and exterior is so that we're specific about our setting. we're specific about our setting guys. Take for example if your scene just says coffee house day and there's no interior or exterior. This will definitely cause some confusion for everybody in the production. Having something inside versus outside for production changes everything. Set dressers and lighting and sound they all have to adjust to being outside or inside. So it's very important to be specific and it all starts with interior or exterior. After interior or exterior you're going to have your setting which is where your scene takes place. This could be as intimate as a coffee house or a bedroom to something way bigger, like an airport or space. And sometimes in your slug lines it can go from a larger area to a smaller area. For example, you can put exterior, beach, towel bar, day. So it just makes things a little more specific. After your setting you're gonna want to specify time. So you're gonna specify whether your scene takes place in the day or at night or later or moments later or it's continuous from another scene to that current scene and sometimes creative liberties are taken with slug lines for example if you have a setting that it's not really clear what time it is or if it's inside or outside for example a dark abyss instead of putting like interior dark abyss day you can just put dark abyss and then go into your action line. Slug lines can be very practical and they can be a little more artistic. It just depends on what type of film you're writing and what tone you want to convey in your script. I think slug lines are pretty fun and if you agree, give this video a thumbs up. Thank you for the thumbs up. If you didn't, slug line is very offended. He'll find you in your sleep. Interior viewers bedroom night. Slug line creeps up to your name lying in bed fast asleep holding a knife. Don't let that be you. Don't let that be you. After our slug lines, we have our action lines. Those are right down below them slug lines. Action lines are pretty self-explanatory and they're very important. They give the reader in the production more detail about the scene, what's going on. let me pull up one of the scenes i have written. so this is what you can usually expect from an action line. interior apartment bathroom night. an attractive young woman, stacy, 20s, checks her appearance in a bathroom mirror. she fluffs out her blonde curls and adjusts the straps of a sexy blue dress. over here where it says stacy, her name is in all caps. why is it in all caps, miss girl? you're not gonna put your character name in all caps all the time. You just capitalize your character's name when they're first introduced to the audience or first introduced in your script right beside that in parentheses You'll see a little 20s It just gives a little more description about like the character or whatever and also within your action lines if there's a prop that's very Specific or important you will also put that in all caps or maybe sometimes sounds like if there's a knock knock knock It's gonna be in all caps Usually doesn't have to it can be italicized again style. She looks at a knife It would be in all caps when certain elements are important to the story or they want Emphasis a writer will stylistically make the choice to capitalize it after action lines. We have our dialogue breaks dialogue now when it comes to formatting dialogue within a script You're usually gonna have your character name on its own line and their dialogue lines right under that now Sometimes on the same line of your character name, you're gonna see a little dialogue note and it's abbreviated. What is this? What does it mean now? Sometimes these abbreviated notes are for the production how this dialogue is supposed to be said where it's supposed to be said So there's a variety of them. So let me go over them V dot O means voiceover Oh s and O C these sound very very similar, but they are not similar off screen means the person is talking But they're not really in the same room or the same space Kira is off-screen. So she's in another room, she's not in the same room, she's not in the bathroom. She's yelling over like, Stace, you ready for a gossip girl marathon? Whereas if it said Kira OC, then Kira would be in the same room and we could literally have the camera pan over and she's right there. Off-camera is really good for reveals when you're writing. Next, we have our parentheticals. These are more specific directions for your character or for the way they're supposed to say their lines, it's a smaller way to give that direction without taking up a whole action line. For example, a store employee is giving a customer a receipt. They can say, have a nice day, and in a parenthetical it can say, handing receipt. That's just like a simple example of that. It can be used to explain to the actor how they should say their line. For example, yelling, crying, or it can be used to tell the actor there needs to be a moment. They're talking and then there's a beat, or a change in thought, then, or a sigh. Or it can help clarify to an actor what specifically they're talking about. For example, let's go back to the coffee shop. Exterior coffee house, day. Now we have two characters outside and they're drinking their coffee and one of them says, why is it so cold? That's kind of a vague statement. For an actor, we might not know what our character is supposed to be talking about. Are they talking about why Why is it so cold outside? Why is my coffee so cold? So a way that a screenwriter can specify that for an actor is by saying re. So in a parenthetical, they could say re coffee. Why is it so cold? And it'll help us as an actor understand how we should say our line. Because if it was re weather, why is it so cold? We'd be looking up at the sky. We'd go like this, why is it so cold? You know? But if it was our coffee, we'd take a sip and be like, why is it so cold? Take this back. Lastly, we have our transitions and cuts. Now for transitions, these go at the bottom left corner of your scene. Now transitions, again, establish more of the tone of the piece, the pacing, how they wanna shoot it. There's a whole bunch of videos on the different types of cuts and transitions, so I'm not really gonna go over that in this. For example, if a writer writes jump cut, maybe we know the pace of the sequence is fast and it's energetic. Maybe if we have a match cut, that's a little more artistic, or if we just have a cut too. And there are so many other things, like pre-lapse and act breaks. Again, there's so many different script formats. A multi-cam comedy script is not going to look the same as a five-act procedural drama. There's different formatting with the action lines in the dialogue, because comedy ones use double-space, and Uttawan doesn't, so there's a lot of stuff. Not every script is the same. If you want to learn more about the other types of scripts, you already know, leave a comment down below and let me know what you want to see next. If you want me to explain more about this, or if you literally don't care and you want me to make something else. Comment down below what your favorite script element is. My favorite script element... My favorite element of a script is definitely dialogue. I love... No. This is hard actually. I like action lines. Because they force you to be really concise, but also say so much and paint this picture. I think action lines are my favorite Dialogues cool. I really like Frick. Okay, I'm torn But let me know what your favorite element of a script is in the comments below and I would love to see what you guys Think and we can compare but yeah screenwriting is very complex. This is just the basics of formatting There's so much that goes into it I hope you guys found this helpful and if you made it to the end of the video Don't forget to leave without subscribing Please like this video so more people find this video and my channel can grow it would mean the world to me You can also follow me on my Instagram If you want more screenwriting content, be sure to check out this video how to break down a script I think it'll be really helpful, especially for actors. It's a really good one. So I would say check out that video I hope you have Mmm, I hope you have a lovely day or night whenever it is for you, and I will see you in the next one Bye.